| 
  • If you are citizen of an European Union member nation, you may not use this service unless you are at least 16 years old.

  • Buried in cloud files? We can help with Spring cleaning!

    Whether you use Dropbox, Drive, G-Suite, OneDrive, Gmail, Slack, Notion, or all of the above, Dokkio will organize your files for you. Try Dokkio (from the makers of PBworks) for free today.

  • Dokkio (from the makers of PBworks) was #2 on Product Hunt! Check out what people are saying by clicking here.

View
 

後殖民主義下的 《1895》、《賽德克、巴萊》到《海角七號》徐智俊

Page history last edited by 徐智俊 9 years, 3 months ago

這三部片子微妙的闡釋連接了日本在台灣的殖民主義與後殖民主義,前期的反抗,中間的征服以及後期的合作。也點出身份認同(Identity)《1895》裡吳湯興認同清朝;《賽德克巴萊》中花岡一郎的矛盾。到了《海角七號》裡的台日愛戀。

      然而,更有趣的是,日本『後殖民主義』卻也是這三部電影的敘事基調。戲裡戲外,都有日本的資金和技術以及演員,這種氛圍是和『台灣80年代新電影』很不一樣,也可能和當時新聞局限制日本影視進入台灣受到壓抑有關。卻在21世紀後大量呈現。

 

     當然,《1895》和《賽德克巴萊》也是族群電影,《海角七號》何嘗不是呢?證明台灣電影正進入一個多元族群的新觀點。

1895 trailer http://www.wretch.cc/blog/themovie1895/12433031

 

Comments (0)

You don't have permission to comment on this page.